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7-01919
Printing --- Type and type-founding --- Dictionaries --- Type and type-founding. --- Imprimerie --- Caractères d'imprimerie --- Specimens. --- Dictionaries. --- Spécimens --- Lettertypes --- Lettertype --- Printing - Specimens --- Type and type-founding - Specimens --- Type and type-founding - Dictionaries --- #X-L: Casterman
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Type and type-founding --- Caractères d'imprimerie --- Typografie --- Type and type-founding - France - Specimens --- #X-L: Casterman
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67650050
Printing --- Books --- Type and type-founding --- History --- Typografie --- Geschiedenis --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- Printing - History --- Books - History --- Type and type-founding - History
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Cette Histoire de l'écriture typographique - Le XXe siècle, tome II : de 1950 à 2000 termine la collection créée par Yves Perrousseaux qui, en six volumes, retrace l'histoire des caractères d'imprimerie, de leur fabrication, de leurs usages et de leur implication dans la culture écrite occidentale. La lettre ne se déclinait guère, jusqu'en 1900, qu'en lettre d'imprimerie ou en lettre manuscrite. Au XXe siècle, ces lettres à lire vont être complétées par celles, mécaniques, du bureau (machines à écrire), et par des lettres à voir, celles, graphiques, utilisées en communication (affiches, magazines, signalétique). Puis, à partir de 1950, plusieurs révolutions technologiques vont bouleverser les typographies de ces trois mondes (livre, bureau, graphique) au point de les faire converger vers ce qui est devenu « la typographie ». En 1950, l'invention de la photocomposition (optique puis informatique) conduit à la disparition du plomb et oblige les grands dessinateurs de caractères à réfléchir sur le concept de fonte. Peu après, le concept de lettre transfert permet à toute une nouvelle génération de typo-graphistes de diffuser, plus facilement qu'en plomb, leurs créations. En parallèle, l'informatique naissante s'intéresse à la lettre pour les besoins des scientifiques et de la bureautique et apparaissent ainsi les premiers systèmes de dessin de caractères. En 1975 l'invention de l'imprimante à laser et de ses logiciels de pilotage marque une nouvelle étape. Les choses vont alors très vite avec les formats de fonte, la guerre des polices, Unicode et les standards de caractères, pour arriver à une typographie unique utilisable par les éditeurs, les graphistes, les secrétariats, tant sur papier que sur écran (d'ordinateurs, d'affichage urbain ou des téléphones portables). La création typographique a d'abord été une adaptation de l'existant aux nouvelles technologies. Les fontes d'aujourd'hui proposent des milliers de caractères différents dans des centaines de variantes graphiques. Mais ces nouveautés technologiques, et leur facilité d'emploi, a conduit à une multitude de fontes que l'on commence à peine à pouvoir cataloguer selon des concepts comme la typographie expressive ou le post-modernisme. Ce sixième volume de l'Histoire de l'écriture typographique a été rédigé par une dizaine de spécialistes, chacun montrant à sa façon la diversité typographique de ce demi-siècle. Selon la tradition de cette collection, des pauses sont proposées hors chronologie, consacrées ici aux classifications historiques des caractères, à la typographie ludique, à la réinterprétation des caractères classiques et à la préservation du patrimoine typographique. Par son iconographie très riche (plus de six cents illustrations, presque toutes en couleurs), ses index et sa bibliographie de plusieurs centaines de titres, cette Histoire s'adresse aussi bien à un large public qu'aux étudiants des beaux-arts ou des écoles de communication, aux amoureux, spécialistes ou professionnels de la typographie et de ses techniques, du web, de l'édition et des arts graphiques.
Printing --- Books --- Type and type-founding --- Typographie --- Ecriture --- Histoire --- History --- Typografie --- Geschiedenis --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- Printing - History --- Books - History --- Type and type-founding - History
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"Published in collaboration with Association Typographique Internationale (ATypI), the 365typo annual features stories by the best writers in the field from all over the world, from Tokyo to San Francisco (via Barcelona, The Hague, Hong Kong, Melbourne, New York, Paris, Reading, Tehran and much more)."--Cover.
Printing --- Type and type-founding --- Graphic design (Typography) --- Layout (Printing) --- Printing. --- Type and type-founding. --- Imprimerie --- Caractères d'imprimerie --- Arts graphiques --- Maquettes (Industries graphiques) --- Typografie
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Part inspiration and part workbook, these hand-drawn type of images will inspire and excite any designer to draw and explore type. Drawing Type features real-world projects and sketchbooks of well-known type designers, including interviews about their processes. Playful, hand-drawn type can easily be used in a range of disciplines within design and illustration such as packaging, editorial, posters, advertising, online graphics, and signage; the hand-made aesthetic is more prevalent now than ever.Alex Fowkes will help you to create custom lettering and typographic layouts. Alex encourages you to start drawing all kinds of typography, including serifs, sans serifs, and scripts. He provides ample examples of typefaces to draw inspiration from so you can become confident enough to draw your own. Drawing Type is perfect for learning and developing your skills at home or in a classroom--an invaluable resource that you can refer to again and again! Bron: www.amazon.co.uk
Typografie --- Lettertekenen --- Letterontwerpen --- Letterontwerp --- Type and type-founding. --- Type designers. --- Typographers. --- Type directors --- Designers --- Printers --- Fonts (Printing) --- Founts (Printing) --- Metal types --- Type faces --- Typefaces --- Founding --- Printing --- Typesetting
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A deep understanding of letterforms and knowledge of their effective use can only be obtained with constant observation and experimentation; it evolves over a lifetime of design practice and study.
Typografie --- Graphic design (Typography) --- Type and type-founding. --- Fonts (Printing) --- Founts (Printing) --- Metal types --- Type faces --- Typefaces --- Founding --- Printing --- Typesetting --- Typographic design --- Design --- Layout (Printing)
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Letraset: The DIY Typography Revolution is the first comprehensive history of Letraset, the rubdown lettering system that revolutionised typographic expression.The book tells the Letraset story from its early days as a difficult-to-use wet system, to its glory years as the first truly democratic alternative to professional typesetting.The book also looks at Letraset?s present-day revival amongst a new set of admirers who recognise the typographic excellence of the system?s typefaces.The book comes with a gatefold Letraset timeline. It has an introduction by Malcolm Garrett, and features in-depth interviews with Mr Bingo, Erik Brandt, Aaron Marcus, David Quay, Dan Rhatigan, Freda Sack, Andy Stevens and Jon Wozencroft.Essays by Colin Brignall, Dave Farey and Mike Daines ? all key members of the Letraset team ? provide expert insight into the rise of Letraset as a typographic and commercial powerhouse. A central essay by Adrian Shaughnessy examines the typographic and cultural impact of the system.The book?s design is by the Spin team of Tony Brook and Claudia Klat. It uses many rare specimens from Letraset?s past ? catalogues, press ads, mailers, storage units, and of course, sheets of classic Letraset typefaces. Bron: https://www.uniteditions.com/products/letraset-the-diy-typography-revolution
Typografie --- Typographie --- Letraset (Firm) --- Letraset (entreprise) --- History. --- Histoire. --- Type and type-founding. --- Graphic arts. --- Letraset Limited --- Type and type-founding --- Graphic arts --- Art graphique
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Typography Essentials: 100 Design Principles for Working with Type is a practical, hands-on resource that distills and organizes the many complex issues surrounding the effective use of typography. An essential reference for designers since 2009, Typography Essentials is now completely refreshed with updated text, new graphics and photos, and a whole new look.
Typografie --- Graphic design (Typography) --- Type and type-founding. --- Fonts (Printing) --- Founts (Printing) --- Metal types --- Type faces --- Typefaces --- Founding --- Printing --- Typesetting --- Typographic design --- Design --- Layout (Printing)
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This book is a guide to the use of type in design for print and screen. It provides a creative, informative, and practical introduction for those studying all pathways of graphic design.The authors discuss who uses type, where and when type is employed, audience and appropriateness of type, and communication. The book includes basic information about type and its terminology, using typefaces, designing and communicating with type, color and movement, experimentation with type, and production issues. Throughout, examples are drawn from design for both print and screen. How to Use Type includes
Type and type-founding. --- Printing. --- Printing, Practical --- Typography --- Graphic arts --- Fonts (Printing) --- Founts (Printing) --- Metal types --- Type faces --- Typefaces --- Founding --- Printing --- Typesetting --- Typografie --- Graphic signs --- typography --- typografie
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